A series composed of 12 pieces originating from a study concerning time and matter. The pleasure of "doing" in a manual process that ennobles and transforms a rag of jute into an object of art ...
Paintings that investigate the magic of creation. Through a technique of material layering on a wooden board, I looked for colors that could approach those underwater gleams and the iridescent shades of marine animals ...
The traces tell of the absence in a fossil memory, so in my surfaces the imprint is always "present" in a game of outcrops and stratifications, covered with iron powders, brass leaves and oxidized copper.
The perspective, the emptiness, the strong contrast shadow / light are the keys to the reading of this photographic series on mirror, where the images are a pretext to investigate a space BEYOND ...
Tradition and modernity come together in the surfaces that I create, transforming the crudeness and essentiality of cement into the light and romantic weaving of embroidery; the precious feminine craftsmanship imprints on the material creating a set of textures that fade into the imperfection of handmade, make each work unique.